Tag Archives: early childhood music

Learning to Love Music as a Family – A Parent’s Guide

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Music has the remarkable ability to enrich our lives, touch our emotions, and provide a source of joy and inspiration. But, how do you learn to love music as a family. For parents, introducing their children to the world of music at an early age can be a rewarding and fulfilling experience. Not only does it foster cognitive growth and other developmental benefits, it also instills a lifelong appreciation for the arts. Here are just a few practical ways parents can actively participate in nurturing a love for music in their children, creating a foundation for a lifetime of musical enjoyment.

How Parents Can Encourage the Love of Music in their Kids

  1. Start Early with Musical Exposure – Begin by exposing your child to a variety of musical genres from a young age. Play different styles of music in the house, whether it’s classical, jazz, folk, gospel, or pop. This exposure helps children develop a broad musical palette and openness to diverse sounds.
  • Enroll in Music Classes – Many communities offer music classes for young children. These classes should incorporate singing, movement, drumming and the opportunity to play simple, age appropriate instruments. Parent participation in these classes is important for modeling and reinforcing the love of music.
Musikgarten Class - Children Taking Turns
Musikgarten Toddler Class
  • Provide Access to Instruments – Offer your child the opportunity to explore different musical instruments. Consider starting with simple, child-friendly instruments like maracas, sticks, or bells. Encourage creativity through musical play with your child, let them experiment with creating their own rhythms and melodies. This not only boosts creativity but also helps in developing a sense of musical expression.
  • Attend Live Performances – Take your child to live music performances, whether it’s a local school concert, a community band, or age-appropriate shows. Experiencing music in a live setting can be magical and captivating, sparking a deeper interest in the art form.
  • Become a Musical Advocate – Support music in your local school(s) and music organizations in your area, and have your child participate in volunteer events. Help music teachers with volunteer support and donations to help cover items not included in school budgets.

Nurturing a love for music in your child is a gift that lasts a lifetime. By incorporating music into their daily lives, providing hands-on experiences with instruments, and exposing them to a diverse range of musical styles, parents can cultivate a deep appreciation for the art form. Remember, the key is to participate to make the journey enjoyable and encourage your child to explore the vast and beautiful world of music.

How Music Helps to Achieve New Year’s Resolutions

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It’s the new year, and with it comes all the reflection and hopes of a better year ahead. Many of us have set goals for 2024, whether they be physical, mental, financial, relationship, or work related. Unfortunately, statistics show an estimated 80% of new years resolutions are broken within the first few weeks. However, there is hope. There are many resources that provide helpful methods for staying within that elusive twenty percentile. Music has been shown, in several ways, as one such method to help achieve goals. For example, Improved fitness (48%) and improved mental health (36%) both ranked in the top five most common new year’s resolutions. Both of these goals have a heavy physiological element to them, and music has been shown to help.

Music Helps Kick Addiction

Addiction is when you have a strong physical or psychological urge or need to do something or use something. Goals regarding improved mental or physical health are often associated with some kind of addiction. The association between addiction and adverse physical and mental well-being is well documented. Whether the goal is it to stop drinking as a coping mechanism, give up sweets or excessive eating, cutting down screen time, or to quit smoking, the addiction typically influences the physical or mental ailment. Music has been shown to help with addiction in several ways, therefore helping to achieve physiological goals.

Music Soothes the Savage Beast

Music therapy and music-based interventions have been used for some time to treat all kinds of compulsive and addictive behavior. Music therapy treatments include music listening, songwriting, music assisted meditation/mediation, and active music making. Simply listening to music helps to open the mind to learn new useful insights through therapy. Furthermore, music has been shown to increase one’s tolerance for frustration, improve interpersonal communication and self-esteem. All of these benefits of music therapy help to calm those who may be having physical and mental withdrawals from impulsive actions or addictive behavior. The act of learning or practicing music also provides another benefit for those who are trying to reach new life goals.

Learning Music Helps to Keep and Redirect Focus

We are all familiar with the adage “idle hands are the devil’s workshop.” When we are striving to achieve new goals or keep resolutions, especially when it involves avoiding addictive behavior, it is often helpful to have something new on which to focus. This helps to keep our minds (and hands) away from the unwanted behavior we are trying to change. Learning a musical instrument is beneficial in many forms, including improved cognitive function, mindfulness, and discipline. Many addictions are physical as well as mental, often having tactile associations. Learning a musical instrument provides new tactile sensation and occupation. For example, the hand to mouth fixation of smoking or drinking can be purposefully interrupted and replaced by learning to play a keyboard. Finally, learning a musical instrument creates new pleasure associations that can replace addictive behaviors, while providing achievement that can be easily realized.

Music can be a catalyst to help those who have set new goals and resolutions for the new year. It provides a tangible and measurable example in which to see results and realize potential. It helps to calm and create an open mind, while providing a form of replacement for undesired behaviors. Learning music at an early age, such as engaging in early childhood music programs, prepares children to achieve their goals later in life. 

Goal Setting for Teachers in the Childhood Music Classroom

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The annual turning of the calendar generates reflection of the year past as well as expectation for the year ahead. Whether we wish to or not, during this time we often go through a mental exercise of regrets and aspirations. When looking to improve our personal as well as professional lives in the new year, purposeful, formal, and written goal setting has been proven to be more effective in changing or improving behaviors.

A helpful way to accomplish this is by following the SMART goal acronym, reminding us that goals should be Specific, Measurable, Achievable, Relevant, and Time-Bound. For the early childhood music teacher, as with any educator, there are goals that will make the classroom more effective. But when that teacher is also the owner of a children’s music studio, there are also goals that regard the business. Each set of goals affects the other and combine to make a successful studio.

Goal Setting for Teachers (of any kind)

For educators, it’s important to always be learning and improving teaching practices. The tasks involved in this endeavor can be quite overwhelming. These simple recommendations may help to reach those goals without losing your mind in the process.

  • Get feedback from your students, parents, supervisors, and/or peers – Often times, what we perceive as needing improvement is unwarranted, while some other areas may not have even occurred to us.
  • Write your SMART goals and remind yourself every day – With the initial chaos that a new teaching period often brings, it’s easy to lose focus on things outside the classroom. Posting goals somewhere to be seen often helps keep you focused.

Goal Setting for the Children’s Music Studio (or any small business)

Managing a classroom is challenging enough without having to run and maintain a successful early childhood music studio. However, it’s important to put on your business owner’s hat and set goals for the studio as well.

  • Go through the same reflection and feedback process – While improvements to the classroom often coincide with business goals, other considerations such as cost or communication outside of the classroom should be considered.
  • Consider the functional areas of the business – As with any size organization, there are major functional areas that also affect small businesses – Management, Production/Operations, Finance/Accounting, and Marketing/Sales. There is a great deal of resources available to help understand and improve these areas.
  • Set growth goals and the marketing tactics to achieve them – Most business owners want to grow, but sustainable growth is paramount to success. Sell it first, then build it is an established business axiom. One shouldn’t hire new teachers without the students, or expand classroom space without the need.
  • Start small and build gradually – Many organizations try to go “too big, too fast,” which is why many small businesses fail within the first few years. Take a tip from the tortoise, slow and steady wins the race.

The new year brings new opportunities and hope for a brighter future. Focusing on fewer, yet specific, goals for the classroom and the early childhood music studio will help to ensure long term success.

Have Schools Been Teaching Music All Wrong?

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Even before the pandemic, music educators in schools had been lamenting about the budget cuts in the arts and how children’s music programs have suffered or even in some cases, disappeared. But the exodus and decline of music students in public education cannot be solely laid at the feet of budget cuts. For example, a seven-year study in Texas found an 80% drop out rate for band students, with the greatest attrition being between the first and second year of instruction.

Budget cuts notwithstanding, developing a love and knowledge of making music in children may have a larger systemic issue. Perhaps our approach to teaching music in schools is contributing to this decline. Have schools been teaching music all wrong?

Teaching Music to the test and not the student

In a series of New York Times articles, Grammy-award winning musician Sammy Miller argues that as with many other institutional education programs with standardized achievement testing, the same often applies to music programs.

Whether by choice or necessity, educators today often “teach to the test” so that achievement goals attached to funding can be reached. While the form of the achievement goal may be a bit different than in traditional classes, music instructors are often teaching to the Holiday Concert or Recital, where parents and administrators will see results. It is often said that music is a language, but many music programs are not teaching it that way. Much like language, music development should include listening, speaking (singing), reading, and writing. Emphasizing rigid reading and rote memorization misses the most important goal of a music program – to instill a lifelong love of music.

Teaching music like a language

It is not until pre-school age that many children are exposed to written language, although their vocabulary is already as many as a thousand words and phrases.

So how did they acquire this skill without formal instruction? By hearing language from their caregivers and siblings, repeating what they hear, and stumbling through ways to verbally (and physically) communicate. As their language develops, they begin to experience the joy of communication. It is not seen as a chore of rote memorization, but a feeling of community and connectiveness. Some early childhood music programs understand that teaching through musical communication establishes a foundation and understanding of the building blocks of music knowledge.

Many great pop music artists know that the secret of good music is simplicity in its foundation, with most chart-topping songs being a series of a few simple notes put together in a new and creative way. Approaching early childhood music education the same way we approach teaching language is a joyful way to instill a lifelong love and understanding of music.

What Makes a Good Early Childhood Music Program?

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The very title of this topic may seem provocative, as many childhood music educators and researchers have varying opinions on what makes a truly great children’s music instruction. There are various established and differing music teaching methods such as The Suzuki Method and The Orff Approach, or The Kodaly and Dalcroze methods. While some of these methods are more focused on the learning of an instrument, they all tend to share a core set of teaching principles. This is not a competitive comparison of any program versus another, but an analysis of the shared beliefs upon which most all music teachers and educators agree.

Core Principles of Children’s Music Education

Here are several basic, yet important tenants to teaching early childhood music education that can be found in nearly all successful children’s music programs:

Focus on the Child – This may seem blatantly obvious, but it is important to emphasize for all childhood educators not to lose the “forest from the trees,” by making the teaching method the center of attention instead of the child themselves. Focusing on the child requires a respect of each student and their individual learning journey. This important approach also touches on “Follow the Child,” one of the central principles of the celebrated Montessori teaching method. 

Music and Movement – Research suggests that encouraging movement at an early age helps to improve all kinds of cognitive as well as physical development. The area of the brain associated with motor control, the cerebellum, is also largely responsible for our learning process. The connection of both music and movement release endorphins in the brain, which helps to maintain interest and energy in a subject. Finally, movement helps children with beat perception and the development of rhythm, timing, and the motor control that will assist in music comprehension and learning an instrument.

Parental/Caregiver Involvement in Children’s Music Education – One principle shared by nearly all successful early childhood music programs is the importance of parental participation. This is often graphically represented as a triangular relationship between child, teacher, and parent. As one would suspect, the importance of parental involvement is not only beneficial to music learning, but all kinds of learning and early childhood development. Research has shown that, just as with traditional academics, parental involvement is particularly beneficial in early children’s music programs through observation and mimicry, helping to develop a better understanding of cultural ties to music, musical concepts, group social interaction, and motor skills development through the use of musical instruments.

Musikgarten Class
Parents during a Musikgarten class.

The most successful children’s music programs share several core principles that can be applied to nearly all early childhood learning. A Focus on the Child ensures that the approach respects the individuality and pace of learning that each child possesses. Music Combined with Movement helps with not only the mechanics of rhythm and timing of music, but also with cognitive aspects that encourage learning. Finally, Parental/Caregiver Involvement creates a triangular bond between teacher, child and parent which reinforces mimicry and a lifetime love of learning. All of these core principles combined with a carefully designed curriculum and supporting materials, are key to success for early childhood learning programs.

Classroom Management in Early Childhood Music Education

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Teachers understand that classroom management is extremely important to providing the best environment for education. Whether virtual or in-person, making sure that each participant has opportunity to learn is one of the biggest challenges for teachers, especially in the children’s classroom. Not only does classroom management make teaching more efficient and effective, it is essential to entice and motivate student learning.  

Classroom Management in Children’s Music Classes

For educators that are teaching in an early childhood music studio, the challenges of classroom management can be unique. Because children’s music instruction often includes physical activity in a group setting, it creates a fertile environment for disruptive behavior. Asking many children to verbalize or speak up in class is a particular challenge for any teacher, but asking a child to sing out loud in front of others can be even more challenging. Below are some classroom management tips and tricks that have been shared by children’s music teachers with decades of experience.

  • Set Expectations with both parents and students from the very beginning – Have an orientation for parents, explaining how the process will work, classroom policies, and what will be expected from both parent and child.
  • Remove any distractions from your teaching space – Only have the things that students will be using in the lesson in plain sight. Before each class, plan ahead on only what will be needed for that class.
  • Strategically position yourself in your classroom space – If this is a class with new students and parents, it may take some observation over a few class periods. If there are very active children, pairs, or groups that cut-up or pester each other, or even parents that tend to chat too much, position yourself in a way where you can intervene in a constructive and non-threatening way, such as positive reinforcement and body language.
  • Constantly observe your students – If children begin to become restless, be ready to engage in a way that allows them to be active and “get the wiggles out.”

Parents Role in Children’s Music Classroom Management

When setting expectations with caregivers at the beginning of a children’s music class, it is very important that they understand their role in helping to manage the classroom. This mainly regards management of their own child, whether through correction or modeling. The following are examples of times when a teacher should expect the parent to react:

  • The child is doing something dangerous to themselves or someone else in the classroom.
  • The child is doing something disruptive.
  • The child is carrying on at a level that is distracting or causing distress to others.

There are many things that can cause this kind of behavior in children, such as being tired and hungry, wanting attention, nervousness, or a child that has been pre-diagnosed with special needs. Some tips for teachers to deal with these behaviors, as well as helping parents to do so, are:

  • Remind parents that children do not understand contractions such as “don’t” or we “shouldn’t”. Direct language such as “do not” or “no (corrected action)” work better with children.
  • Remove the child from the classroom situation for a short period until they have reset.
  • Understand that sometimes it takes several classes for a child to get “into their comfort zone” when in a new environment such as a music class.
  • For children who do not want to participate, give them the choice of either doing so or sitting in a “quiet corner.” Empowering the child to make the decision often has positive results by them re-engaging.
  • For classes with older children when the parent is not always present, address ongoing behavior promptly and privately with the parent after class.
  • Manage transitions wisely in order to make them smooth for everyone.

These are just some of the techniques that teachers of early childhood music can use to manage their classrooms, parents, and students. Good educators understand that setting expectations early is pivotal in getting everyone on board for a fun and conducive learning environment.

The Roles of the Parent and Teacher in the Children’s Music Classroom

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We have all heard about “helicopter parenting” (and from time to time may be guilty of it ourselves), where a parent injects themselves into the activity, experiences, or problems of a child, particularly in educational institutions. While this kind of involvement in a child’s education is considered detrimental to their long term well-being, parental involvement and participation in the early childhood music studio is highly encouraged. The following synopsis is based on a series of podcasts from Musikgarten that delves into the parental role in an early childhood music and movement classroom.

Parental Roles in Early Childhood Music Education

When exploring the role of the parent in the physical and psychological well-being of children in the classroom, one of the most important benefits of parental involvement is that the caregiver can immerse themselves into the experience and become an active part of the learning process.  Through modeling and participating, not only does the parent get the enjoyment of making music with their child, but also benefit from the bonding that happens during the process. In the earliest stages of childhood, children have been mimicking their parents for some time, so having them alongside in the music classroom seems natural. Today’s caregivers are bombarded with optional activities for their children, but most do not ask for full participation other than to perhaps register, transport, and provide snacks. It can be daunting for parents to adjust to this role in a classroom setting, especially when surrounded by other parents. So, there is also modeling going on between the teacher and the caregivers, as well as between parents. And because the teacher is leading the activities in the classroom, the parent’s main role is to simply be present and have fun with their child.

The Role of Early Childhood Music Teachers in Making Parents Feel Comfortable

Just as a child may feel apprehensive and nervous about a new classroom setting, teachers should keep in mind that parents and caregivers may also be feeling self-conscious about participation. While they may regularly participate in instructed group activities such as yoga or church groups, being asked to sing and “act silly” in front of others can be intimidating. Physical or psychological limitations may also make the caregiver hesitate to participate in activities, such as confidence in singing or getting up and down on the floor.

Just as with the child, the teacher’s role is to be aware of reluctance in the parent as well and provide a comfortable atmosphere in which to participate. In addition, it’s important to remind caregivers that their child craves their participation, whether its singing or movement. The child does not care how well the parent sings, but loves to hear their voice because of the comfort it provides and a sense of safety since birth. Teachers should continue to encourage the parents to participate and find the level of comfort that will prompt participation.

One interesting result of good parent participation is as a child eventually finds their voice, they may actually ask parents to participate less by putting their hand over their mouth or even asking them to leave. While it is important to encourage the child to find their own voice, it’s also the teacher’s role to tell both that the class is a family class and should be shared together. As the child grows older, they will not only find their voice, but also be able to share that voice with others in a musical setting.

Parent and caregiver participation in the early childhood music classroom setting is important in the healthy development for a child’s love and understanding of music. The comfort and modeling it provides is invaluable to developing an affinity in learning and creating music. In addition to music curriculum, the teachers role is to encourage both parent and child to participate while simply having fun.

The Importance of Parental Involvement in Children’s Music Education

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In the early summer months of May and June, children across the US celebrate their parents on Mother’s and Father’s days. The impact of caregivers in early childhood is immeasurable. Whether it’s a mother, father, grandmother, uncle, stepparent, or foster parent, educators have long known the positive influence that caregiver involvement has on the education and development of children. That is no exception for early childhood music classes, where parental and caregiver participation contributes to a formula for success.

The Impact of Family Involvement in Early Childhood Education

Researchers for decades have pointed to parental/caregiver involvement as a key success factor across nearly all aspects of early childhood development. This impact has been ranked above many other background influencers such as socioeconomic status or kind of school attended. That degree of importance also extends beyond individual caregivers to include family and community.  Interaction between caregivers, students, and teachers provide a two-way benefit whereas teachers learn about a family’s culture while, the family in turn learns the goals of the curriculum and educational approach. Twenty years of research show that by preparing children’s readiness for school, classroom behavior and attendance, test scores, and academic performance are vastly improved. In addition to academic and school related benefits, caregiver involvement also benefits the child in several other ways:

  • Development of self-confidence and motivation
  • Better social skills and relationships
  • Less likely to develop behavioral issues
  • Builds a foundation of resilience into adulthood https://developingchild.harvard.edu/resources/three-early-childhood-development-principles-improve-child-family-outcomes/
  • Helps the child to develop independence

The Importance of Caregiver Involvement in Early Childhood Music Classes

Just as with traditional academics, research has also shown that parental involvement positively impacts early childhood music programs. The benefits are wide ranging, specifically reinforcing a positive bond between caregiver and child which helps to build confidence and self-esteem. As a result, the child benefits from:

  • Better understanding of cultural ties to music
  • Increased IQ, which reinforces understanding of musical concepts
  • Observed social Interaction through group music and singing
  • Language and enunciation skills through singing
  • Tactile and spatial development through observation and mimicry of instruments

The relationship between parent/caregiver and child is a strong bond that impacts success in life. A positive relationship yields many benefits for learning and can help to advance childhood development from the earliest stages. Extending this strong connection to the classroom, whether it be traditional academics or early childhood music classes, provides multiple rewards for child and caregiver alike.

Ella Jenkins – First Lady of Children’s Music

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Anyone who is involved in children’s music is familiar with the name Ella Jenkins. Given the honorific title “The First Lady of Children’s Folk Song,” Jenkins is an iconic American folk singer, multi-instrumentalist, and perhaps most impactfully, a beloved children’s music writer and performer. Her 1995 album of children’s songs, Multicultural Children’s Songs remains the Smithsonian Folkways most popular release. Jenkins has spent her life devoted to helping children find enjoyment in music, appearing on many children’s television shows including Mr. Rogers’ Neighborhood, Sesame Street, and Barney. And in 2004, Jenkins received a Grammy Lifetime Achievement Award. She remains an inspiration and mentor for many children’s music educators across the globe.

Ella Jenkins’ Humble Beginnings for a Children’s Music Icon

Jenkins’ was born in St. Louis on August 6, 1924, but grew up mainly on Chicago’s South Side. As a child, she loved games, especially those involving music, rhythm, and movement. Jenkins was introduced to the music of renowned blues musicians such as Memphis Slim, T-Bone Walker, and Big Bill Bronzy, by her uncle Floyd Johnson, a harmonica player. As her love and interest in music grew and her family moved to different neighborhoods around the south side, she explored various styles of music, rhythm, and children’s games in the streets as well as local black churches. During this time, Jenkins also enjoyed dance and performing, which allowed her to attend concerts at the local theatre. She often contributes her “sing and response” style of music by hearing Cab Calloway perform there. Graduating High School in 1942, Jenkins went on to earn an associate’s degree from Woodrow Wilson Junior College while working at a Wrigley’s gum factory. It was at Woodrow Wilson that she became interested in music from other cultures through her Mexican, Cuban, and Puerto Rican friends. After graduation, Jenkins moved to California in 1948 in order to increase her opportunities and expand her musical repertoire.

From Music Acolyte to Accomplished Composer

While attending San Francisco State College, Jenkins continued her pursuit into the music of other cultures, learning Jewish songs from her roommates. After graduating with a B.A. in Psychology with minors in Child Psychology and Recreation in 1951, she moved back to her beloved Chicago. Despite having no formal music education, in addition to singing Jenkins learned over the years to play a multitude of musical instruments including the ukulele, pipe organ, harmonica, piano, and a variety of percussion instruments.  Jenkins began writing songs while volunteering at recreations centers, and was soon hired as a Teenage Program Director. While performing with young people on the street one day, she was asked to perform on a local public television show, The Totem Club. Jenkins continued to play various shows and events, and in 1956 decided to become a full-time freelance musician. Moses Arch, the founder of Folkways Recordings heard Jenkins and offered to record her songs. Her first album, Call and Response was published as 10-invh vinyl in 1957. She recalls, however, that times were not always easy in those days, as she slept in different places each night, often facing racial discrimination.

Composing and Performing her way to Beloved Children’s Music Icon

In the 1960s, Jenkins met Bernadelle Richter, who hired her to perform at an American Youth Folk Festival. They soon developed a relationship and within a few years were business partners, with Jenkins composing and performing while Richter handled the business. In 1966, Jenkins released the best-selling title in the history of Folkways (Smithsonian) Records, You’ll Sing a Song and I’ll Sing a Song. She has continued to compose and perform ever since, with her 32nd album Life of Song published in 2011. Other entities continue to publish her classics in different educational compilations, such as the Get Moving Ella Jenkins and recently released 123s and ABCs, which features her core principles of careful listening, singing, and improvisation.

Ella Jenkins is one of few artists to have recorded both for Smithsonian Folkways and for Moses Asch’s original Folkways label. She has enjoyed a long and prolific career distinguished by a genuine love and appreciation for the minds and hearts of children. Three generations of fans are still singing along with “Miss Ella,” while the next generation of children can learn the ground-breaking songs of Ella Jenkins on Smithsonian Folkways. The accolades Jenkins has received include, but are not limited to, a Pioneer in Early Television citation, the Parent’s Choice Award, a KOHL Education Foundation Lifetime Achievement Award, Best Variety Performer Award from American Academy of Children’s Entertainment, and a Lifetime Achievement Award from the American Society of Composers, Authors, and Publishers. She has also served as a U.S. delegate to numerous countries with the John F. Kennedy Center for the Performing Arts. Generations of children have a deeper understanding of the world through Ella Jenkins participatory music.

Instilling a Love of Music in Children

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When visiting the home or workspace of others, one may notice if they have music playing in the background. Others may be able to, and even prefer to, have music playing while reading or concentrating on a task, while some find it distracting. After so many years, experts are still trying to understand how our brains react to music. While there are always exceptions to the rule, most researchers conclude that listening to music has several beneficial effects on mind, body, and spirit:

The Benefits of Listening to Music

Developmental Benefits of Music to Children

While many of the benefits of enjoying and listening to music continue throughout our lifetimes, there are important developmental advantages that exposure to music at an early age offers to children from as early as the womb. Establishing a strong foundation and exposure to music in children at home and in the classroom helps to develop a lifelong love. We have explored many of these developmental benefits over the years.

For children, music:

Considering the many advantages that a lifelong love of music provides, the key question is – How do I instill a lifelong love of music is my child? For caregivers who already have a love of music and therefore expose children to it at home, church, and the classroom, this may seem like an afterthought. For parents and caregivers who may not know where to start, here are some things that can easily be done from before birth.

Simple Ways to Instill a Lifelong Love of Music in Children

  • Play music to a child in the womb – A child can begin to detect and discern noises from outside the womb at around the 23rd week of pregnancy, and scientists recommend exposing a child to both speech and music.
  • Sing to the womb – As the child develops, it begins to recognize the parent’s voices, as well as that of other family members and caregivers. Singing songs to the child is a great way to create both a bond with family as well as with music. The newborn child will also recognize songs and lullabies that were repeatedly sung to the womb.
  • Listen to Music with your kids – Some of us will remember from childhood that music was almost always on around the house. Music doesn’t have to be loud to create a soothing background for family dinners and house chores. It’s also a chance for families to sing along, dance, and act all around silly. Also consider exposing children to different genres of music, so that they develop a musical “vocabulary” and gain an appreciation of many different cultures and styles.
  • Sing with your kids – Children’s music is more popular than ever, and many a parent will testify that some of it is quite catchy! Whether its children’s songs or mainstream, find what your kids enjoy singing, and sing along! Not only will it make them happy and strengthen your bond, but it will also help them learn to harmonize with others.
  • Take them to see live music – It’s one thing to hear music, sing at home, or see music on a screen, but quite another to show children real live professionals performing music in person. Not only is the sound of live music unbeatable, the other stimuli that a live concert or music festival provides fill the senses. While it’s important to consider the who, what, when, where, and how of taking a kid to a live performance, if done with good planning, the experience should be one they will remember their entire lives.
  • Enroll them in Early Childhood Music Classes – As we have stated above, there are many mental, social, and developmental benefits to music classes for children. From infancy to young adulthood, these programs help kids develop a different language and vocabulary, as well as a lifelong passion for music.

Music transcends age, culture, gender, race, and nationality. With a literal world of choices, listeners can choose music to which they can relate most, and with technology, listen to it just about anywhere on the planet. Music offers individuals a personalized outlet, and the freedom and choice that music offers can produce a love that lasts a lifetime.