Tag Archives: childern’s music

The Pathway to Music Literacy in Children

From whatever country they were born, or environment they were born into, all children are born with a natural ability and inclination to sing and dance. Famed children’s music researcher, teacher, author and lecturer Dr. Edwin E. Gordon concluded that until age 9, children are in the developmental stage of their music aptitude and disposition. Throughout this time, parents and teachers have a great impact on how musical a child will be for life.

In this series on the Pathway to Music Literacy, we have explored the various foundations and methodology that make children’s music curriculum successful, touching last on the connection between music and movement. In this final installment, we’ll sum up how nurturing all these basic music skills prepares children for a pathway to independent musicianship and enduring music-making capabilities.

Aural Preparation is Key to Music Development

Just as language begins in children with aural preparation, music also starts as an aural reality for the child. Only after this reality exists is the child able to then read and write language, or understand the written form of music in notation. Just as words are the building blocks of language, tonal and rhythm patterns comprise the vocabulary of musical language. Once children become familiar with these patterns, they love playing aural games that apply both a neutral, chanted syllable, or in the context of a familiar song.

Children singing melodic patterns in a Musikgarten class.
Children singing melodic patterns in a Musikgarten class.

Teaching Children to Write and Read Music

Once children are able to understand and play aural games, they are ready to see those familiar patterns in symbols. Active, participatory notation games show these symbols to the children on a sensory motor level. With repetition comes understanding, and as they begin to be able to discriminate between several familiar patterns, they can be further challenged to find the same patterns in unfamiliar songs. Instead of simply decoding, they are actually reading with comprehension. Notation games of listening and responding to a series of patterns also teach children to take dictation and write out songs they know so well.

Assessing the Pathway to Music for Children

In early childhood music education, accurate assessment is crucial in knowing how to lead children on their pathway to music literacy. Through a series of steps, music teachers can determine specific pre-requisites to determine a child’s readiness. Once those steps have been mastered, children will be able to look at an unfamiliar piece of music and do the following:

  • Identify the familiar patterns within the song
  • By making inferences, they will figure out the unfamiliar patterns
  • Hear the music in their heads

This approach prompts children to begin to think in the language of music, and play it on the keyboard.

Instilling Music Improvisation and Composition in Children

As children learn to manipulate words, phrases, speak, and write complete sentences, they gain a better understanding and eventually become conversant. The same is true in the pathway to music literacy. By first understanding rhythmic and tonal patterns, recognizing these in the form of notation symbols, and then learning to write these patterns, children obtain the ability to start to manipulate and improvise. Once they begin to improvise patterns, they can begin to improvise phrases and eventually parts of a composition.

Through this improvisation, children become musically fluent and can contribute a musical

thought in the appropriate tonality, meter, and style. It is when they gain this intuition of musical patterns that children can truly improvise and compose through Music Literacy.

Much of the content for this post was based on the introduction to Music Makers: at The Keyboard, childhood music curriculum developed by Musikgarten.

Small Business Tips for Emerging from an Economic Downturn

With the recent approval of two Covid-19 vaccinations, and a second economic relief package from Congress, small businesses such as Children’s Music Studios can begin to share the hope that the economy will start to pick back up in 2021. Many small business owners have not fared well during the crisis. Some 30% to 40% of those most affected by social distancing have gone inactive since February.  Typically this time of year, small business owners are setting goals and making plans for growth in the coming year. The need to plan and adjust is just as important now as ever, but the approach and mental process is different in a flagging economy.

Tips for rebuilding your small business after Covid-19

  • Understand your prospective customers perception – Consumers are extremely cautious coming out of an economic upheaval. If they believe money is going to be tight (even if they have it), they are going to behave as such. Your message to them should be that your services are very important and a good value. It is also a good time to focus on keeping quality and customer satisfaction high.
  •  Take a hard look at your finances – It’s important to monitor your cash flow very carefully and forecast it at least three months in advance. Separate the essential expenditures from those that can wait, and work with creditors to spread or reduce payments while you get back on your feet. If your cash flow projection means that you will need to borrow in order to stay afloat, identify financial resources to help you recover.
  • Put together a marketing plan – You will not be able to market the exact same way as our economy comes limping out of the pandemic. Start by letting people know that you are back to business and offer them something of value to show you are in this together. We have previously explored how to make the best use of existing marketing resources with little additional cost. However, while many companies cut back on marketing in an economic downturn, savvy business owners understand it can be a good opportunity to capture market share with smart investment.
  • Develop a time line and contingency plan – When resources are scarce, a time line can help you to understand what actions (and expenses) should be addressed first. Rebuilding a business is just that – a step-by-step building process with contingencies. Knowing how and when to address priorities helps to balance resources.  Finally, be better prepared for the next time an unexpected downturn happens – and it will. Take what you have learned from this experience and prepare a well thought out plan for a better reaction to loss in customers and revenue.

While it is unfortunate that many small businesses across the world will never be able to open their doors again due to this pandemic, studio owners of children’s music programs can begin to make concrete plans on how to recover stronger than ever. And when the next downturn happens, that valuable experience will make them better prepared to endure it.  

Musikgarten is the leader in early childhood music education — for children and teachers, that offers a complete multi-year educational program that helps infants, toddlers, and children develop a deep love of music and the ability to express it. For more about Musikgarten and its offerings, go to https://www.musikgarten.org/.

Teaching Toddlers to Piano: When Seeds Start To Produce Flowers

If you imagine yourself to be a gardener, you will have to learn to wait and wait for the day when  those tiny seeds you planted last April will finally flower into their full glory. So goes the musical development of the children in our music classes. We welcome in the new family with infants in their arms and encourage music making through singing, rocking, dancing and playing sticks.  Of course the baby mouths that stick, eagerly working on that emerging molar. We let the parents know this is a first step in the music literacy development, exploration, and the child will soon find the sound, play with the sound, copying the beat, and keeping a steady beat. We sing and ask parents to sing along in whatever key they can find and feel a seed of joy in our hearts when the toddlers begin to sing along, first in snatches and then slowly joining us for the whole song.

We relish the moment when a child comes back with their first “bah” or “bam” and secretly jump up and down when their response is in tune, and, oh, the quality of that first voice. And when a child in your classroom NEVER responds with a bam or bah you find yourself nervously reminding your parents how this is a process based program. But you, the teacher, wonder when or if you will ever see that flower bloom. Patience is the key and making sure all those little things that happen are acknowledged and appreciated.

Let’s go back a few years to one of my Cycles classes. A mother arrives with twin girl and boy, Ayla and Acer, and a baby in tow. The twins hide behind mom and very rarely do I see their faces. Mom reassures me the boy is very musical, but I am not allowed even a glimpse of this in my classes. We go through the year and Mom brings the children weekly without fail.  I know she plays the music at home and participates fully in my classroom. The boy moves into Music Makers and the girl into ballet class at the same time as his music class. Sigh! Mom comes week after week with both, drops off the boy and DRAGS the young ballet dancer out of my studio. The boy is still very shy but shines his sweet eyes on me sometimes when I am looking. When Music Makers: Around the World begins, the girl joyfully rejoins the class, still very shy but I hear her beginning to sing with a sweet quiet voice as she joins all our musical activities.

Ayla Acer and Trekker - May blog

Fast forward to this year; Music Makers: Piano. Both children are now singing in tune, keeping awesome steady beats and playing their keyboards like there is no tomorrow. The “baby”, now a preschooler, is still hiding behind mom in his music class but I have heard him singing in the background when his siblings send me recordings of their music making at home.

Let’s hear a bit from the mother, Jennifer, about the experience:

As a homeschooling family, we find outside enrichment to be very valuable. I suppose our Musikgarten journey began even before our home school journey – when our oldest (twins) were 2 1/2. We went in search of some sort of musical training for our particularly eager son, who was obsessed with guitars. Through a local music store, we found Ellen. At first, I would say we found classes to be fun but did not see how this would foster our budding musician’s creativity or bring along his less-eager and very shy twin sister. In fact, both children (and especially now our third child) were pretty reluctant to take part in many of the activities. We continued on, only partially (if at all) understanding what was happening.

And then we moved into piano instruction. We were amazed!! Both children grew by leaps and bounds – our son was constantly at the piano creating, and our daughter even started to love playing and getting creative! And I was surprised at what I was learning too! Now all 3 children are in, and enjoying the program. I can only imagine what great surprises may be in store as we continue!

Jennifer did not give up on her children. Instead she kept music a big part of their home life.  She provided instruments for the children to explore at home and invested in a keyboard that has become a center for playing the piano all day long.

I bet in your piano classes you usually don’t have time to hear all the pieces the children have been exploring at home. It can get discouraging when it feels as if they only know two pieces – Listen for Bells, and Mouse Mousie. This year, I found it useful to have my parents send me home recordings of their  children’s playing. This has been an eye opening experience as a teacher. For the shy student, this is the ideal place to express their pieces from a place of comfort. Ayla never wanted to share her pieces during piano sharing time.  Yet when Mom sent videos of her playing at home I was surprised and pleased to hear how comfortable she felt playing the piano, heard her entire repertoire (which included every piece we did in class) and even got to hear her improvisations.

With home recordings you can :

  • Hear their entire repertoire
  • Make little suggestions in terms of sound production
  • Give positive feedback, which they love to hear
  • Observe their home bench height and distance from the keyboard
  • Remind the parents to get their pianos tuned

Listen to Acer and Ayla’s latest recordings.

Acer – Green Gravel in two keys

Ayla – Follow Me with improvisation

I hope you can hear how all the little things we do with the children in those early classes finally bloom in a myriad of ways when they are ready to place the music in their hearts onto the piano.  My garden is blooming!